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Towards a Differential Dramaturgy: Opening Up the Writing Dimension of Dance
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Towards a Differential Dramaturgy: Opening Up the Writing Dimension of Dance

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Towards a Differential Dramaturgy: Opening Up the Writing Dimension of Dance
López Esteve, Oriol
The aim of this article is to explore in depth the critique of the prevailing paradigm in 20th-century dance — especially in terms of its relation with the notion of identity — based on what we will call “dramaturgy of difference”. This type of dramaturgy, as we will argue, goes further into the ontological revision of dance and strengthens the writing status of choreography. Finally, in order to illustrate the development of this dramaturgical strategy, we will analyse the case of the dancer and creator Loïe Fuller.
Towards a Differential Dramaturgy: Opening Up the Writing Dimension of Dance
Noticias

Towards a Differential Dramaturgy: Opening Up the Writing Dimension of Dance

/
Towards a Differential Dramaturgy: Opening Up the Writing Dimension of Dance
López Esteve, Oriol
The aim of this article is to explore in depth the critique of the prevailing paradigm in 20th-century dance — especially in terms of its relation with the notion of identity — based on what we will call “dramaturgy of difference”. This type of dramaturgy, as we will argue, goes further into the ontological revision of dance and strengthens the writing status of choreography. Finally, in order to illustrate the development of this dramaturgical strategy, we will analyse the case of the dancer and creator Loïe Fuller.
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El enlace al catálogo otras publicaciones en general: https://www.institutdelteatre.cat/publicacions y acceso al catálogo de libros específico: https://publicacions-institutdelteatre-cat.translate.goog/ca/cataleg-bibliografic.htm?_x_tr_sch=http&_x_tr_sl=ca&_x_tr_tl=es&_x_tr_hl=ca Asistencia ESADS en

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Discozombie

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Discozombie
Faura, Pere
A few hours of disco, litres of sweat and crossed glances to the rhythm of
techno are recorded here. Interspersed, there are multiple visions of the
choreographer’s work- from the creative impulse to the need for management
and the analysis of results – that transport us from the blinding light of the
spotlights of a stage to the deep darkness of a cave. This is the intimate
portrait of Pere (Gay) Faura, an artist of the dance floor, and of the very dance
floor where he moves: today’s culture.
With Jeroen Fabius, Neus Faura and Joan Gay.
And the voices of Natalia Natalia Alvarez, Tena Busquets, Maria Gonzalez, Joan
Escofet, Tatiana Halbach, Esteve Soler, Roberto Fratini, Claudia SolWat,
Sandra Casals, Margarida Troguet, Julia Bertran, Elena Carmona, Bea Fernan dez, Semolina Tamie, Mauri Serrado, Eduard Vallory, Javier Vaquero, Ohiana
Altube, Eduard Escoffet and lfiaki Alvarez.
Ressenya de «Lettres de fuite. Séminaire 2001-2004 Hélène Cixous, Marta Segarra (ed.) París, Gallimard, 2020, 1200 pp.»
Noticias

Ressenya de «Lettres de fuite. Séminaire 2001-2004 Hélène Cixous, Marta Segarra (ed.) París, Gallimard, 2020, 1200 pp.»

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Ressenya de «Lettres de fuite. Séminaire 2001-2004 Hélène Cixous, Marta Segarra (ed.) París, Gallimard, 2020, 1200 pp.»
López Esteve, Oriol
Ressenya de «Lettres de fuite. Séminaire 2001-2004» d’Hélène Cixous, editat per Marta Segarra, París, Gallimard, 2020, 1200 pp. ISBN: 978-2-07-285906-9.

Aquest és el primer volum de l’edició dels seminaris que la dramaturga i escriptora Hélène Cixous organitza de manera ininterrompuda des de 1974.

Ressenya de «Lettres de fuite. Séminaire 2001-2004 Hélène Cixous, Marta Segarra (ed.) París, Gallimard, 2020, 1200 pp.»
Noticias

Ressenya de «Lettres de fuite. Séminaire 2001-2004 Hélène Cixous, Marta Segarra (ed.) París, Gallimard, 2020, 1200 pp.»

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Ressenya de «Lettres de fuite. Séminaire 2001-2004 Hélène Cixous, Marta Segarra (ed.) París, Gallimard, 2020, 1200 pp.»
López Esteve, Oriol
Ressenya de «Lettres de fuite. Séminaire 2001-2004» d’Hélène Cixous, editat per Marta Segarra, París, Gallimard, 2020, 1200 pp. ISBN: 978-2-07-285906-9.

Aquest és el primer volum de l’edició dels seminaris que la dramaturga i escriptora Hélène Cixous organitza de manera ininterrompuda des de 1974.

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